Otto gets discovered

At RESCUE's 8th annual "Beauty to the RESCUE" fundraiser at the Mane Attraction on March 9, local artist Susan Barken spotted our dog Otto (a rescue dog himself) and thought he'd make a good subject for one of her paintings. Here are a couple of the photos she took of him on March 16. Susan donated a dog painting for RESCUE's silent auction at the fundraiser. (UPDATE: here's the painting.)

Richard Cheese in Phoenix

Richard Cheese and Lounge Against the Machine will be performing at the Celebrity Theatre on June 7, for his first headlining show in Arizona. Tickets go on sale on March 15, 18 & over only, $100 for front row, $60 for VIP rows 2-7, and $35 for remaining rows. Those in the front and VIP rows get an after-show "meet and greet" with Richard Cheese for photos and autographs at the Celebrity Club.

More details at www.richardcheese.com.

Visual depictions of quantity in art

The picture is of a pair of breasts, composed of 32,000 Barbie dolls. 32,000 is the number of elective breast augmentation surgeries in the U.S. in 2006.

This picture, along with a partial zoom and closeup and other similar works by Chris Jordan, may be found at his website. The photos depict such things as 2 million discarded plastic bottles (the number used in the United States every five minutes), a skull made from images of 200,000 packs of cigarettes (the number of Americans who die from cigarette smoking every six months), a version of Seurat's "Sunday Afternoon on the Island of La Grande Jatte" made from 106,000 images of aluminum cans (the number used in the U.S. every 30 seconds), and so forth.

Hat tip to Barry Williams, who posted this on the SKEPTIC list.

UPDATE (June 11, 2009): Jordan gave a TED Talk about his work last year:

George W. Bush's favorite painting

From Scott Horton, "The Illustrated President," Harper's, January 24, 2008:

George W. Bush is famous for his attachment to a painting which he acquired after becoming a “born again Christian.” It’s by W.H.D. Koerner and is entitled “A Charge to Keep.” Bush was so taken by it, that he took the painting’s name for his own official autobiography. And here’s what he says about it:

I thought I would share with you a recent bit of Texas history which epitomizes our mission. When you come into my office, please take a look at the beautiful painting of a horseman determinedly charging up what appears to be a steep and rough trail. This is us. What adds complete life to the painting for me is the message of Charles Wesley that we serve One greater than ourselves.

So in Bush’s view (or perhaps I should say, faith) the key figure, with whom he personally identifies, is a missionary spreading the word of the Methodist Christianity in the American West in the late nineteenth century.

...

Bush’s description of “A Charge to Keep” struck me as very strange. In fact, I’d say highly improbable. Now, however, Jacob Weisberg has solved the mystery. He invested the time to track down the commission behind the art work and he gives us the full story in his forthcoming book on Bush, The Bush Tragedy:

[Bush] came to believe that the picture depicted the circuit-riders who spread Methodism across the Alleghenies in the nineteenth century. In other words, the cowboy who looked like Bush was a missionary of his own denomination.

Only that is not the title, message, or meaning of the painting. The artist, W.H.D. Koerner, executed it to illustrate a Western short story entitled “The Slipper Tongue,” published in The Saturday Evening Post in 1916. The story is about a smooth-talking horse thief who is caught, and then escapes a lynch mob in the Sand Hills of Nebraska. The illustration depicts the thief fleeing his captors. In the magazine, the illustration bears the caption: “Had His Start Been Fifteen Minutes Longer He Would Not Have Been Caught.”

So Bush’s inspiring, prosyletizing Methodist is in fact a silver-tongued horse thief fleeing from a lynch mob. It seems a fitting marker for the Bush presidency. Bush has consistently exhibited what psychologists call the “Tolstoy syndrome.” That is, he is completely convinced he knows what things are, so he shuts down all avenues of inquiry about them and disregards the information that is offered to him. This is the hallmark of a tragically bad executive. But in this case, it couldn’t be more precious. The president of the United States has identified closely with a man he sees as a mythic, heroic figure. But in fact he’s a wily criminal one step out in front of justice. It perfectly reflects Bush the man. . . and Bush the president.

In an update, Horton points out that Sidney Blumenthal traced the story of this painting in an April 2007 column at Salon.com.

(Hat tip to Dave Palmer on the SKEPTIC list.)

UPDATE (January 27, 2008): Commenter Bruce points out below that this painting misidentification was discovered even earlier by Jonathan Hutson in a blog post titled "Horseshit! Bush and the Christian Cowboy" at Talk to Action in May of 2006. Hutson uncovers the correct name of the painting and the story it was intended to illustrate, but doesn't point out that the character in the story who Bush identifies with in the painting is a thief fleeing from justice.

Parents Television Council demonstrates their own pointlessness

The Parents Television Council, the organization that is responsible for generating over 99.8% of all indecency complaints to the FCC, has further demonstrated its own complete pointlessness by putting out a website that assembles a collection of the most indecent clips from broadcast television, with no parental controls of any kind on the page. Each clip is categorized with labels like "sex," "violence," and "foul language."

What's a kid more likely to come across? A five-second bit in one of thousands of television shows, or a huge collection of the worst of the worst all in one place on the Internet?

It's high time for broadcast television indecency rules to be dropped.

(Via The Agitator.)

Altria's departure from NYC means loss of arts funding

Altria Group's moving its headquarters from New York City means that it will cease supporting the arts in New York, to the tune of $7 million a year. Altria funded over 200 groups in the city and was "the most reliable source of corporate funds for the city's dance companies, art museums, and theaters for over 40 years, consistently ranking as the top giver each year," according to Trent Stamp of Charity Navigator, in a blog post titled "Arts Groups Addicted to Smoking."

Mirrors without glass

Daniel Rozin's Weave Mirror uses 768 motorized C-shaped prints in what appears like a basket weave patterned screen, each of which can rotate independently to change its shade, producing a grayscale image of whatever is in front of it.

Photos and video at Engadget.

This reminds me of Julius Popp's Bitfall, which draws images with falling water drops.

Thumbs up for Bat Boy: The Musical

Last night we attended "Bat Boy: The Musical"(reviewed here by the Arizona Republic). The play is based on a recurring character in fake (but sourced) news stories in the Weekly World News. While it didn't exactly describe the Bat Boy we were familiar with from the WWN (for instance, he didn't fight with U.S. troops in Afghanistan), it was a humorous and entertaining performance at the Phoenix Theater by the Nearly Naked Theatre troupe.

The "Bat Boy: The Musical" play was co-authored by Brian Flemming, the director of the atheist DVD "The God Who Wasn't There" and the silly "Blasphemy Challenge" that has prompted many YouTube videos.

Bitfall: using dripping water to display images

This is really cool, I hope the Quicktime videos come back soon. (Via BLDGBLOG.)

UPDATE (September 18, 2007): Julius Popp's website (the first link) appears to be undergoing renovations... the BLDGBLOG link still has Bitfall pictures and description.

Bizarre bicycle safety film from 1963

I had the privilege of viewing this film, "One Got Fat," two or three times in grade school in the early-to-mid seventies. It's the story of Filbert, Nel, Stan, Mossby, Rooty, Floog, Orv and their friends--all creepy monkey-faced humans--who bicycle ride to a park nine blocks away, all but one coming to an unpleasant end. (Hat tip: Radley Balko at The Agitator.)

Los Angeles traffic at night-time

Grass Collective makes "moving art" which includes a DVD of Los Angeles traffic at nighttime. It's pretty hypnotic. (Hat tip to BLDGBLOG.)

MoMA: SAFE: Design Takes on Risk

There's an interesting exhibition at the Museum of Modern art in New York called "SAFE: Design Takes on Risk." It was originally going to be an exhibition on "Emergency," planned in March 2001 by Paola Antonelli, MoMa's curator of architecture and design, but the events of September 11 put that on hold. She then broadened the topic to cover safety, survival, and rescue. The official description on the website is "devoted to objects designed to protect body and mind from dangerous or stressful circumstances; respond to situations of emergency; ensure clarity and information; and provide a sense of comfort and security."

The exhibit includes a wide variety of interesting objects designed to protect against dangers or survive dangerous conditions. There are anti-theft chairs (that you can hook a bag to while you're sitting in a public place to avoid purse snatchers), a NY subway "help point intercom," airline passenger briefing cards, a variety of locks, a bicycle that folds to 50% its original size to store or lock more securely, a kidney transporter that resembles an iMac, "QuikClot" temporary traumatic wound treatment, a bulletproof duvet cover, and many other interesting objects and devices.